iCreate 126  – GarageBand Vs Logic Pro X Feature Tutorial

iCreate 126 – GarageBand Vs Logic Pro X Feature Tutorial

iCreate 126 Cover 500It hardly seems credible that a whole month has gone by since the last issue of iCreate hit the shelves, but it has. I ramped things up a little this month with a 5-page contribution to issue 126, which is out now. In a feature tutorial starting on page 44, I take a close comparative look at GarageBand and Logic Pro X, weighing up the pros and cons of each to try and help you decide which of them you should be using to create your music projects. Comparisons are made in the areas of plug-in compatibility, sophistication of automation systems and overall ease of use when recording, mixing and editing.
So if you think you might want to make the leap from GB to LPX, this might just help sway your decision one way or the other. Check it out at all good newsagents from today!

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Electro Legends: Gary Numan – Cars, Love Hurt Bleed Video Tutorials

Electro Legends: Gary Numan – Cars, Love Hurt Bleed Video Tutorials

Numan ELS CoverThe third, and as it turns out final, instalment of Future Publishing’s Electro Legends Series of digital magazines is now available to download. This time around the focus is on Gary Numan, looking both at his earlier iconic works and also featuring a sneak peek or two at his latest album of new studio material, Splinter (Songs from a Broken Mind). My contribution to this edition takes the form of separate video tutorials on how to program synth sounds from two Numan tunes, old and new. Firstly, I demonstrate how to recreate the famous Polymoog lead sound from Gary’s 1979 hit ‘Cars’, swiftly followed by a breakdown of one of the main synth sounds from one of the new album tracks entitled ‘Love Hurt Bleed’.

The digimag also features a four-part video exclusive with the man himself, as well as a 3D video exploration of classic album Replicas and a look at Gary’s synths. It’s available through the free Computer Music and Future Music iPad or iPhone apps at a very reasonable £1.99. Go get it!

MacUser Oct 2013 – FingerLab DM1 Review

MacUser Oct 2013 – FingerLab DM1 Review

MacUser Oct 2013 Cover 500Just a quick mention of a review I had published in the October 2013 issue of MacUser. FingerLab DM1 is a software drum machine for OSX that harks back to the age of analogue, pattern-based hardware drum machines. Containing loads of sounds from a great selection of old hardware favourites from the 70’s and 80’s, you can find out exactly what I thought of it on page 110 of this issue.

iCreate 125 –  Working with Drummer and Drum Kit Designer in Logic Pro X

iCreate 125 – Working with Drummer and Drum Kit Designer in Logic Pro X

iCreate 125 Cover 500In the current issue of iCreate, which you can now find in all good newsagents, you’ll find two double-page tutorials from me on the new drum-related features in Apple’s Logic Pro X. Starting on page 58, I show you how to give your Logic projects some stick with the awesome new Drummer track. This amazing feature gets your groove going in the simplest way possible and sounds incredible. My step by step guide demonstrates how to create a Drummer track, switch between genres and drummer personalities, customise the grooves, alter the kit pieces played and fine-tune details such as fills, swing feel, ghost snares and hi-hat openness. You can get incredibly real-sounding drum tracks in no time with this feature, especially if you follow the simple instructions in this guide.
Following on from this, on page 60, I give a step-by-step introduction to the Drum Kit Designer plug-in, which plays the sounds used by the Drummer track. Here you can customise the sound of the kit by swapping kit pieces such as kick, snares, toms and cymbals, change the pitch and damping of each kit piece, and delve into deeper levels of control by invoking the ‘Producer‘ kits.
So in this issue, it’s all about the beats for me, so why not beat a path down to the shops and pick up a copy? They won’t stick around for ever…

iPhone 5s and 5c – Specs, UK Pricing & Availability

iPhone 5s and 5c – Specs, UK Pricing & Availability

iPhone 5s Blog ShotIn a special media event from its Cupertino campus that contained few surprises, Apple unveiled two models of the new version of the iPhone last night – the flagship iPhone 5s and the, it has to be said, only marginally cheaper iPhone 5c. Here’s a rundown of what was announced…

iPhone 5c
The entire back and sides of the new iPhone 5c is made from a single part of coloured hard polycarbonate plastic incorporating an internal steel structure, while the front is a single flat, multitouch 4-inch Retina display glass surface.
Inside, the 5c has an Apple A6 processor with a slightly larger and more efficient battery than the iPhone 5 that precedes it. It has an 8 megapixel iSight camera with backside illumination and a five-element lens, that uses iOS7’s new Camera app with its live photo filters and 3X video zoom capability. On the front, there’s a new FaceTime HD camera.
The 5c comes in five standard coloursblue, white, pink, yellow and green – and there’s a range of six complementary-coloured silicone rubber cases available to accessorize with for $29 USD each.

iPhone 5c prices (on a typical US 2-year contract) are:

16GB: $99 USD
32GB: $199 USD

The iPhone 5c will be available to pre-order in 9 countries (US, UK, Australia, Canada, China, France, Germany, Japan, & Singapore) from 13th September, and to purchase from 20th September.

In the UK, the iPhone 5c will cost £469 for the 16GB model and £549 for the 32GB model (non-contract).

iPhone 5s
Made from high-grade aluminium with diamond-cut, chamfered edges, the iPhone 5s difinitely looks the part of a flagship product. It comes in three metallic finishes: silver, gold, and a new ‘space grey’.
The 5s runs on Apple’s new proprietary A7 64-bit processor, making it the first ever 64-bit smartphone. This takes advantage of the fact that iOS7 and all its native apps have been completely re-engineered and optimised for 64-bit processing, while maintaining compatibilty with existing 32-bit apps, so the performance gains over the previous model should be significant. The A7 chip is apparently twice as fast as previous generations, with an impressive 40X increase in CPU performance over the first generation iPhone.
It runs OpenGL 3.0, enabling the iPhone 5s to run desktop level, 64-bit graphics.
The iPhone 5s contains an additional motion co-processor called M7 that handles all of the movement-based processing such as motion sensing, accelerometer, compass and gyroscope, continuously measuring the data coming from the phone’s numerous sensors without troubling the main processor, paving the way for a new generation of health and fitness apps.
So how does this impact battery life? Standby time is up to 250 hours, with 10 hours of WiFi browsing or 3G talk time. 40 hours of music and 10 hours of video claimed.
The iPhone 5s has a newly-designed, 8 megapixel camera system centering around a five-piece lens with a larger, f/2.2 aperture and a 15% larger active sensor area. White balance and exposure are set automatically, and a new ‘true tone’ flash aims to capture better skin tones when using flash. Auto image stabilization cuts down on blur when shooting with a longer exposure, and a 10 frames-per-second burst mode automatically selects and presents the best shot for you. A new 120fps HD slo-mo video camera is also now available for action shots, and panorama shots now benefit from automatic exposure adjustment as you pan the shot.
The iPhone 5s pioneers a new security technology that Apple are calling Touch ID, which centres around a fingerprint sensor on the home button that’s used in preference to the conventional four-digit passcode traditionally used to gain access to the device. A metal sensor ring around the button means you can just touch, not even fully press, the button to unlock your phone. You can teach it more than one print, so that if you sometimes use your thumb, rather than your index finger, to wake your phone, you shouldn’t run into difficulties through using the wrong finger. Under iOS7, you can also use the fingerprint sensor to authorize iTunes purchases.

You can accessorize the iPhone 5s with leather cases that are available in five colours – yellow, brown, pink, blue and black – at $39 USD each.

iPhone 5s prices (on a typical US 2-year contract) are:

16GB: $199 USD
32GB: $299 USD
64GB: $399 USD

In the UK, the iPhone 5s will cost £549 for the 16GB model, £629 for the 32GB model and £709 for the 64GB model (non-contract).

All the major UK carriersEE (Orange and T-Mobile), Vodafone, O2 and Three – have confirmed that they will be offering the phones on a contract basis, but contract prices have not yet been announced. The 8GB version of the iPhone 4s will also continue to be available free on contract.

The iPhone 5s will be available to purchase in 9 countries (US, UK, Australia, Canada, China, France, Germany, Japan, & Singapore) from 20th September.

Both the 5s and 5c will be available through the Apple Online Store, Apple’s retail stores and select Apple Authorised Resellers, including Phones 4U and Carphone Warehouse.

iOS7
The new phones will, of course, ship with the newest version of Apple’s mobile operating system already installed, but iOS7 will also be available as a free download to users of existing iOS devices from September 18th. iOS7 is compatible with the iPhone 4 and upwards, iPad 2 and upwards, iPad Mini and 5th-generation iPod Touch.

iWork
From today, the iOS versions of Keynote, Pages and Numbers, Apple’s mobile presentation, word-processing and spreadsheet apps, will be free to new iOS device purchasers, along with iPhoto and iMovie for iOS, instantly turning your new device into a pretty powerful creative and productive tool for zero outlay. Nice touch!

Computer Music 196 – Easy Guide to Minor Scales, Arturia MiniLab review

Computer Music 196 – Easy Guide to Minor Scales, Arturia MiniLab review

CM196 Cover 500This week marks the launch of issue 196 of Computer Music magazine, and I was on light duties for this one, owing to my having had a well-earned two-weeks’ holiday in August – right after Apple chose to launch Logic Pro X! So sadly I didn’t get to contribute to the massive Logic guide that dominates this issue, although I did get to play with the impressive Arturia MiniLab compact USB keyboard controller, my review of which starts on page 96.
Of course, these days, no issue of CM would be complete without my regular Easy Guide column, and this month I delve into the mysteries of the natural and harmonic minor scales. Twelve steps over two pages, complete with an accompanying video, explain how to construct and use these two forms of the minor scale, so if you’ve ever had a minor interest in the subject, why not have a look?

MacUser Vol.29 No.10 – Blue Spark Digital Mic Review

MacUser Vol.29 No.10 – Blue Spark Digital Mic Review

MacUser 2910 Cover 500The September 2013 issue of MacUser magazine is now on sale, and one of its super high-quality, glossy pages contains my review of the Blue Spark Digital USB microphone. This clever piece of kit can be connected either to a computer via a standard USB cable or to an iOS device using a 30-pin connector, so you can use it to record to a desktop, laptop, iPhone or iPad.

Regular readers of this blog will know that I’ve had issues with Blue in the past, so this was an interesting one. You can find out exactly what I thought of the mic on page 98.

Electro Legends: Prodigy – “Invaders Must Die” Synth Sound Tutorial

Electro Legends: Prodigy – “Invaders Must Die” Synth Sound Tutorial

Electro Legends ProdigyThe second instalment of Future Publishing’s Electro Legends Series of digital magazines is now available to download via the Computer Music or Future Music iOS apps. Focussing on the work of The Prodigy, my contribution to this edition is a four-step video tutorial demonstrating exactly how to reproduce the kind of grungy, fuzzy dirt-fest that is the lead/bass synth sound from ‘Invaders Must Die‘.
Also included is a classic interview with Liam Howlett, the inside story of the band’s rise to fame by the founder of XL Recordings, a look at the band’s live drum setup, a load of free samples and much more besides, all for a paltry £1.99.

So if you’re a fan of Liam, Keith et al (Al? who’s he?), get your iPad out and download the Prodigy Special today!

iCreate 124 – Logic Pro X Review, GarageBand Compressor Guide

iCreate 124 – Logic Pro X Review, GarageBand Compressor Guide

iCreate 124 Cover 500Another new, tall issue of iCreate muscles its substantial way onto the shelves this week, and I have good reason to celebrate this, as I’m back up to two contributions this month.
Keeping up with what seems to be a bit of a recurring theme for me at the moment, I’ve got a two-page guide to the compressor in GarageBand starting on page 50, in which I attempt to de-mystify once again the way a compressor works, why it’s so useful and how it has the power to make almost every track in your project sound better.

Elsewhere, having struck while the iron was hot and purchased Logic Pro X on the day it was launched, I managed to get reviews of it into two magazines – iCreate 124 being one of them. You’ll find what I thought of it on page 100, in a thorough, two-page scrutiny of the newest version of Apple’s flagship DAW.

Also, as a sideline in the news section this month, I get to contribute a couple of quotes to the item on the launch of Logic Pro X, complete with namecheck, which is a bonus!
If you want to see my soundbites, check out page 9.

Computer Music 195 – DAW to DAW, Syncopation, Logic Pro X Review

Computer Music 195 – DAW to DAW, Syncopation, Logic Pro X Review

CM195 Cover 500Computer Music Issue 195 is now available, and this month I’ve contributed three items – my  regular Easy Guide column, a feature tutorial and a review.
First up, if you’ve ever tried to export a project from one system on one computer and open it successfully on another, you’ll know how tricky it can be. So, on page 55 you’ll find my DAW to DAW feature, a handy five-page guide to transferring projects between different platforms. Encompassing MIDI files, effect and instrument presets, project files and the creation of stems, it takes in file transfer options like Dropbox before showing how to import a set of stems originating from Logic Pro X into a Cubase project.
Elsewhere, Apple’s announcement of Logic Pro X was one of July’s big news items, sending magazine editors and freelancers alike scurrying to shoehorn coverage of the app in before their deadlines. I was lucky enough to snag the official CM review, which starts on page 88 and continues for 3 pages of in-depth examination and honest critique.
Meanwhile, my regular Easy Guide column takes a more rhythmic approach this month, examining the basics of syncopation and what it means to today’s electronic musician. You can find the column in its regular slot on page 70, and the accompanying video can be found on the cover DVD for the print edition, or downloaded from the CM vault for digital editions.
So, with the usual shedload of other good stuff to be found in this issue, it makes for a cracking holiday read. Speaking of which, I’m just off on mine, so have a great summer everyone!

Electro Legends: Kraftwerk – Create the Perfect Robot Vocal

Electro Legends: Kraftwerk – Create the Perfect Robot Vocal

Electro Legends KraftwerkNow, this is an interesting one. Future Publishing have embarked on a new, digital-only venture focussing on legendary synth-pop pioneers. The Electro Legends Series kicks off with a study of German legends Kraftwerk, in the form of a digital magazine, which is available now from within the iOS apps of Computer Music and Future Music magazines.

It’s the first in a new range of digital specials, which is also due to profile artists such as The Prodigy, Hot Chip, Depeche Mode and Gary Numan.

The unofficial app contains interactive features that will appeal to both music makers and regular fans of the artists. The Kraftwerk edition contains a classic interview with founder Ralf Hütter, a contemporary live report, Autobahn revisited, exclusive analysis by OMD’s Andy McCluskey and Ultravox founder John Foxx, plus videos, tutorials, samples and more.

I was honoured to be asked to provide a four-step video tutorial for this pioneering publication, in which I demonstrate how to get the perfect Kraftwerk-style robot vocoder vocal sound.

The Electro Legends Series: Kraftwerk is available now for £1.99. To buy it, simply download the apps of either Computer Music or Future Music.

Computer Music 194 – Beats Cover Feature, Easy Guide to Suspensions, eaReckon CM COMP-87 & CM-EQUA 87

Computer Music 194 – Beats Cover Feature, Easy Guide to Suspensions, eaReckon CM COMP-87 & CM-EQUA 87

CM194 Cover 500I’m very happy to announce that the September 2013 issue of Computer Music is now available, containing my humongous Beats cover feature. Starting on page 30, it’s a 14-page juggernaut covering the basics of how to program drums in a number of genres, including house, drum n bass, dubstep, trap, hip hop and RnB. It also delves into sourcing the right sounds for each genre, and I show you how to program beats using both MIDI and audio region-based techniques. It’s a proper mine of information, and on top of all this, there are no less than 10 videos to accompany the walkthroughs, and the usual array of audio examples and MIDI files too.
Elsewhere in the issue, on page 68 you’ll find the third instalment of my music theory Easy Guide column – this month you get two pages exploring suspensions and suspended chords, and there’s a video to accompany the 12-step walkthrough featured in this piece as well.
Continuing on the video theme (it’s small wonder that I got RSI last month – Repetitive Screencast Injury!) I got to contribute this month’s DVD tutorial feature on the marvellous free plug-in that’s being given away with the issue – the eaReckon CM-COMP 87 virtual analog compressor. Over 18 steps I take you through all the parameters and controls, demonstrating how to use the unit in a number of real-world scenarios, and you can see it all happening as there’s an accompanying video for this too!
Last but not least, in a blink-and-you’ll-miss-it kind of way, I’ve also managed to shoehorn in this month’s Quick Guide feature on pages 16 and 17. This month it’s all about eaReckon as I take you on a tour of the front panel of the CM-EQUA 87 parametric equalizer that comes free every month as part of the CM plug-ins collection.
So, as you can see, I’ve been a busy boy this month, with a total of 21 pages and 12 video tutorials in this one issue – my single largest contribution yet (I think)!

Logic Pro X Unveiled

Logic Pro X Unveiled

Logic Pro XIt looks as if the wait is finally over – Apple today unveiled the hotly-anticipated Logic Pro X, updating the Logic line of digital audio workstation software for the first time in almost exactly four years. At first glance, it looks like the app has had a major interface overhaul, with newly-designed graphics for most of the plug-in control panels as well as the main arrange, mixer and edit windows. Track Stacks appears to be a new reimagination of the folders concept, while Flex Pitch (as opposed to Flex Time) allows for the fixing of dodgy vocal tuning and repitching of instrument melodies. Smart Controls, meanwhile, allow you to manipulate multiple plug-ins and parameters with a single move.
The new Drummer plug-in adds a virtual session drummer to your production toolbox, while you can create classic 70’s and 80’s style sounds with the new Retro Synth instrument. There are also nine new MIDI plug-ins, including a sophisticated arpeggiator. There’s no news yet as to whether or not the EXS24 sampler has received some much-needed attention.
There’s also a new Logic Remote iPad app, available for free on the App Store, that allows you to use an iPad as a control surface for Logic.
Logic Pro X is available to download now on the Mac App Store for £139.99 ($199.99 USD). The 650MB download requires OS X 10.8.4 or later and runs only in 64-bit mode, so make sure you have 64-bit versions of all your favourite third-party plug-ins installed. Here at daveclews.com, we can’t wait to try this, so watch this space for more Logic-related news soon!

iCreate 122 – Mixing from Stems in GarageBand

iCreate 122 – Mixing from Stems in GarageBand

iCreate 122 Cover 500The latest issue of iCreate is now taking up an even more sizeable chunk of newsagent shelf real-estate than usual this month, as they’ve made it taller! I’d like to think it’s so that they can fit in even more of my stuff, but sadly that seems not to be the case – there’s only one tutorial from me in there this month, but it’s a good one!
In a two-page guide starting on page 52, you’ll find my tutorial on how to remix using stems in GarageBand. I start by explaining exactly what stems are, then go on to demonstrate the easiest way to get tracks from other musicians into your GarageBand projects, for the purposes of remixing, collaborating and suchlike.

This is the way the pros do it, so for an easy and pretty-much foolproof way to transfer projects between your GarageBand rig and other musicians, get hold of a copy today!

Computer Music 193 – Vocals Cover Feature, Harmonisation, Zebra CM and Nektar P1 Review

Computer Music 193 – Vocals Cover Feature, Harmonisation, Zebra CM and Nektar P1 Review

CM193 Cover 500The August 2013 issue of Computer Music is out now, and in a packed issue for me this month, I’ve written the cover feature guide about how to get great vocals by various different means, and what to do with them once you’ve got them to make them sound epic. Spanning a whopping total of 13 pages, it covers:

• Tweaking vocal samples to fit your track
• Recording vocalists
• Using online vocal session services
• Using vocal compression and effects for a professional sound
• Comping a perfect vocal from multiple takes
• Beefing up backing vocals
• Arranging ad-libs using a sampler
• And loads more…

All this is, of course, accompanied by the usual throng of videos, audio examples and step-by-step walkthroughs to guide you through the processes involved. The feature starts on page 32, and I’m really proud of it. A lot of work went into it, and the CM team have made it look fantastic, so many thanks to Lee, James and everybody involved.

This issue also marks the 2nd instalment of the ‘Dave Clews Easy Guide’ music theory column. This month I attempt to de-mystify basic harmonisation – in other words, I show you an easy way to find the chords that work best with any given melody, using a twelve-step guide and, of course, a video too. You’ll find the column on page 72.

Elsewhere in the issue, on page 102, you get to read what I thought of the Nektar Panorama P1 control surface with deep integration with Reason and Cubase. The verdict might not be what you’d think!

Finally, if you turn to page 16, you’ll find my 4-page, in-depth guide to all the features and controls of the brilliant u-He ZebraCM synth that comes free with the mag every month as part of the 30-strong CM Plug-ins suite. This synth really is amazing considering that it’s a giveaway – this alone is well worth picking up any single copy of the mag, packing a sonic punch that you would have had to shell out hundreds of pounds for not even five years ago.

So if all that isn’t reason enough to head into Smith’s for a copy, or download the digital version via Newsstand or Zinio, I don’t know what is!

The 2013 Mac Pro – Do Creative Professionals Finally Have Something to Shout About?

The 2013 Mac Pro – Do Creative Professionals Finally Have Something to Shout About?

Mac Pro 2013 500We Apple pros could be forgiven for having felt somewhat disenfranchised of late. After all, we’ve had to sit back for six years or so and watch the spotlight being hogged by lucrative telephones and tablets while enduring a relative lack of innovation in the design of what we know and love Apple for best – computer hardware. Yes, we got the MacBook Air, but that’s just a slimmer version of the traditional laptop aimed squarely at the domestic market. And yes, they practically invented the modern tablet in the form of the iPad, but how many professional users do you know who produce their stuff solely on one of those? To people who make their living using Macs, these products, although admittedly very cool and all that, have by and large been merely shiny distractions.
Now though, it looks like we finally have something to celebrate in the all-new 2013 Mac Pro, a sneak preview of which was unveiled at yesterday’s WWDC keynote. OK, so it does look a bit like a teabag bin, and has already been labelled the ‘Trash Can’ by the Twitterati, but whatever you think about how it looks, it really should be applauded as the first major hardware redesign from Apple in years. Tiny, cylindrical and with a stonking power-to-weight ratio, it delivers expandability in spades – as long as you don’t mind shelling out for a Thunderbolt chassis to run all those external drives, interfaces and displays, that is. So it’s wonderful to see a splash of this sort of forward-thinking, mould-breaking hardware design from a company who were once so renowned for it, and Apple pros the world over can finally breathe a huge collective sigh of relief. Even though I know a few studio owners who I suspect are going to have to put up a sign next to their machine politely asking people to refrain from stubbing their cigarettes out in it.
The 2013 Mac Pro is set to make its debut later this year, which should give everyone plenty of time to save up, arrange finance, plot and execute elaborate insurance scams, sell relatives etc. to come up with the funds needed to buy one, so form an orderly queue to the left please guys.

2013 Mac Pro Specs:
Processor:
Intel Xeon E5 chipset offering up to 12 cores of processing power, up to 40GB/s of PCI Express gen 3 bandwidth, and 256-bit-wide floating-point instructions.

Memory:
Four-channel DDR3 ECC memory controller running at 1866MHz delivering up to 60GB/s of memory bandwidth. Memory configurations unconfirmed as yet.

Graphics:
Two state-of-the-art AMD FirePro workstation-class GPU’s each with up to 6GB of dedicated VRAM.

Storage
Next-generation PCIe Express storage controller – 1.25GBps flash-based storage 10 times faster than a standard 7200rpm SATA hard drive. Storage configurations unconfirmed as yet.

Expansion:
6 built-in Thunderbolt 2 ports, up to 6 devices per port, 20GBps throughput, backwards compatible.
4 x USB 3, 2 x Gigabit Ethernet, and 1 x HDMI 1.4 ports.

Networking;
Three-stream 802.11ac WiFi
Bluetooth 4.0

Cooling:
Unified thermal core cooling system featuring large, multi-bladed single fan.

Dimensions:
9.9 x 6.6 inches

iCreate 121 – Custom GarageBand Instruments & Cubasis for iOS

iCreate 121 – Custom GarageBand Instruments & Cubasis for iOS

iCreate 121 Cover 500Another issue of iCreate can only mean one thing – another couple of tutorials from me! This month, we’re delving into one of GarageBand’s lesser-known abilities – creating your own custom sample-based instruments. Not a widely publicised feature this, but actually incredibly useful once you know how to pull it off, given GarageBand’s lack of any real sample playback capability – it’s a nifty trick that allows you to reconfigure an existing instrument as a basic sample player, and you can use it to construct anything from your own drum and percussion kits to custom pitched instruments. You’ll find the tutorial on page 56.
Elsewhere, Steinberg have been busy working on a version of Cubase for your iPad. Cubasis is a remarkably solid port of their flagship DAW to the iOS platform, and works in a very similar way to the desktop version. My two-page guide starting on page 92 takes you through some of its more advanced features accessed via the inspector panel, following on from the more basic exploration in the previous issue.

Computer Music 192 – Pentatonic Scales, Modulation Cover Piece, Dune CM, WaveShaper CM

Computer Music 192 – Pentatonic Scales, Modulation Cover Piece, Dune CM, WaveShaper CM

CM192 Cover 500Big news today here at daveclews.com – I’m really happy to announce that I’m now officially a columnist! Yes, the July 2013 issue of Computer Music magazine is finally here, and it contains the first instalment of my regular monthly ‘Dave Clews’ Easy Guide’ music theory column. This first one is about the power of the pentatonic scale, and it spans two pages with two six-step walkthroughs that outline how to construct and use pentatonic scales within a practical production context, accompanied by a video that you can find on the covermount DVD (or download from the CM vault if you have the digital edition). I even get a photo byline, a small bio and a link to this page, so if you’ve come here via CM193, welcome!
Elsewhere in the mag, I’ve contributed quite a bit of other stuff to this issue too. Apart from my column on page 70, I’ve written the first five pages (33-38) of the cover feature, a massive guide to modulation. Looking in-depth at the way different kinds of modulation are used in synth sound design, and featuring lots of practical examples, with video, of how they can be applied in  real world music-making scenarios, the feature covers:

LFO’s – what they are and how to use them

ADSR Envelopes and how they can be used to modulate a sound

Complex, multipoint envelopes – now these are very cool!

… and lots more besides.

I also have the DVD tutorial this month, found on page 6 and detailing the features of the rather marvellous Cableguys WaveShaper CM plug-in, a combination of a digital oscilloscope and waveshaper that you can’t get anywhere else – it’s only available from CM, either on the cover DVD or as a download with the digital edition!

As if that wasn’t enough, starting on page 16 I’ve also done the CM Plug-ins Quick Guide, which this month is a four-page guide to the ins an outs of the fantastic Dune CM soft synth that’s also given away free (along with about 30 other plug-ins) every month.
Quite a landmark issue for me this, and I’m proud to say that I take up a total of 14 pages in this one. And with the second instalment of my column already written and the video already shot and edited, I can confidently say that you’ll be seeing at least two pages of me in the mag every month from now on!

iCreate 120 – Compose Movie Scores & Piano Roll Editing

iCreate 120 – Compose Movie Scores & Piano Roll Editing

120 iCreateI’ve been so busy working on new projects lately that issue 120 of iCreate magazine almost slipped under my ‘published stuff’ radar! In a distinctly GarageBand-focussed issue, there are two tutorials from me this month – on page 56 is a simple two-page guide to composing a movie score in GarageBand to use in your iMovie projects, while over the page on page 58 I take you through the basics of editing MIDI regions in the app’s piano roll editor. All good useful stuff, I hope! So if you want to broaden your GarageBand horizons, grab a copy quick while you still can!