Computer Music 193 – Vocals Cover Feature, Harmonisation, Zebra CM and Nektar P1 Review

Computer Music 193 – Vocals Cover Feature, Harmonisation, Zebra CM and Nektar P1 Review

CM193 Cover 500The August 2013 issue of Computer Music is out now, and in a packed issue for me this month, I’ve written the cover feature guide about how to get great vocals by various different means, and what to do with them once you’ve got them to make them sound epic. Spanning a whopping total of 13 pages, it covers:

• Tweaking vocal samples to fit your track
• Recording vocalists
• Using online vocal session services
• Using vocal compression and effects for a professional sound
• Comping a perfect vocal from multiple takes
• Beefing up backing vocals
• Arranging ad-libs using a sampler
• And loads more…

All this is, of course, accompanied by the usual throng of videos, audio examples and step-by-step walkthroughs to guide you through the processes involved. The feature starts on page 32, and I’m really proud of it. A lot of work went into it, and the CM team have made it look fantastic, so many thanks to Lee, James and everybody involved.

This issue also marks the 2nd instalment of the ‘Dave Clews Easy Guide’ music theory column. This month I attempt to de-mystify basic harmonisation – in other words, I show you an easy way to find the chords that work best with any given melody, using a twelve-step guide and, of course, a video too. You’ll find the column on page 72.

Elsewhere in the issue, on page 102, you get to read what I thought of the Nektar Panorama P1 control surface with deep integration with Reason and Cubase. The verdict might not be what you’d think!

Finally, if you turn to page 16, you’ll find my 4-page, in-depth guide to all the features and controls of the brilliant u-He ZebraCM synth that comes free with the mag every month as part of the 30-strong CM Plug-ins suite. This synth really is amazing considering that it’s a giveaway – this alone is well worth picking up any single copy of the mag, packing a sonic punch that you would have had to shell out hundreds of pounds for not even five years ago.

So if all that isn’t reason enough to head into Smith’s for a copy, or download the digital version via Newsstand or Zinio, I don’t know what is!