Hot off the press, here’s the August 2014 issue of Computer Music, and nestling within its info-packed pages you’ll find 8 of them containing things I wrote! My ‘Pitch n Glide’ feature is a useful 5-pager extolling the virtues of performance-enhancing techniques such as portamento and pitch bend, with a dash of vibrato. You’ll find out how to program synth parts that exploit your synth’s portamento feature to the fullest, how to reinstate vibrato to your controller’s modulation wheel, how to draw and edit pitch bend curves and even how to program a Dolby THX-style polyphonic glide. You’ll find the piece on page 67.
Elsewhere, in the issue I have a single-page review of Mozaic Beats’ AutoTheory, an innovative plug-in that remaps the MIDI input from your controller to predetermined keys and scales, making it easier to program parts that conform musically to your project. You can find out what I thought of it on page 104.
Finally, as always, there’s my music theory Easy Guide on page 74, and this month we’re dealing with the scary-sounding contrapuntal motion. Actually not scary at all, my 12-step walkthrough with accompanying video breaks down contrapuntal motion into its four basic types, with examples to illustrate each type. I then go on to demonstrate how you can use contrary motion in your productions. Well worth a look, along with all the other great stuff in the mag, including a huge cover feature all about reverb, CM 206 is available now! On reflection, it could be the best issue yet!
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